Emily Ludolph writes about business, history, and culture. She has published in Quartz, Narratively, TED Online and Design Observer. She is the host of a live show and podcast called Dedicate It.
Being a stock photographer should theoretically work like a toll road. Build a highway once, put a gate in front of it, and then collect a toll for every use. But what do you do when the landscape shifts, when other roads are built around, or intersect with, your toll road? Rocked by new platforms and changing norms, stock photographers have had to adapt their businesses in the age of digital, crowdsourcing, and unlimited replication.
You know what they say: learn from the past or you’re doomed to repeat it. So, we’ve rounded up some of the most profound advice we're heard in recent memory to help us focus on what’s important and answer the question: Where does the best work that we can make start? With ourselves? With our collaborators? With a martini or two?
A big part of art appreciation is rubbing shoulders with other tourists in a gallery. But the art lovers who go the extra mile to visit artists’ house museums walk in the dining rooms, vegetable gardens, and footsteps of Renaissance greats, Impressionists, and Pre-Raphaelites.
The New Yorker cartoonist once saw her career going over a waterfall. Four decades as a working artist later, and still churning out whimsical and pithy cartoons, Chast sees humor everywhere she looks—especially in New York City.
A Brooklyn bronze foundry has endured on the banks of the East River for nearly 100 years. Its fourth steward Billy Makky can be be found in the shop daily wearing a fireproof apron and one of many hats: craftsman, artist, alchemist, engineer, businessman – and when interacting with New York creatives –psychologist.
Artists Jon Burgerman and Laolu Senbanjo shared their thoughts on the subject in front of an intimate crowd at Ace Hotel New York.