If that sounds anything like your morning routine, you’re in good company. Over the years, as a coach and trainer, I’ve heard a similar story from hundreds of creative professionals. Of course, the details will vary – if you’re like me, your trip to work will be the “30 second commute” known to freelancers the world over, and you’ll be making your own coffee. You may incorporate meditation, or other exercise into your morning routine. And you may use a camera, easel, guitar or whatever instead of a computer.
But the chances are you’re living proof of one of the great paradoxes of creativity: that the most extraordinary works of imagination are often created by people working to predictable daily routines. There’s even an entire blog (sadly now on hold) devoted entirely to accounts of the Daily Routines of writers, artists, and other interesting people.
Here’s the architect Le Corbusier, as described by his colleague Jerzy Soltan:
During these early August days, I learned quite a bit about Le Corbusier’s daily routine. His schedule was rigidly organized. I remember how touched I was by his Boy Scout earnestness: at 6 AM, gymnastics and . . . painting, a kind of fine-arts calisthenics; at 8 AM, breakfast. Then Le Corbusier entered into probably the most creative part of his day.
Filmmaker Ingmar Bergman:
He does not like noise – “Quiet” signs are posted around the Dramaten when he’s at work. He does not like lateness: he positions himself outside the rehearsal hall at 10 each morning in case the cast wants to fraternize, and rehearsals begin promptly at 10:30; lunch is at 12:45; work finishes at 3:30. He does not like meeting new people or people in large groups. He does not like surprises of any kind.
And novelist Haruki Murakami:
When I’m in writing mode for a novel, I get up at 4:00 am and work for five to six hours. In the afternoon, I run for 10km or swim for 1500m (or do both), then I read a bit and listen to some music. I go to bed at 9:00 pm. I keep to this routine every day without variation. The repetition itself becomes the important thing; it’s a form of mesmerism. I mesmerize myself to reach a deeper state of mind.
There are plenty more examples over at Daily Routines, but you can probably start to see the family likeness.
Murakami may have been joking when he mentioned mesmerism, but as a trained hypnotist I can tell you he was bang on the money. By repeating the same routine every day, all these creators are effectively hypnotizing themselves, deliberately altering their state of consciousness in order to access the “deeper state of mind” that allows them to work their creative magic. The different elements of the routine become associated with this creative state of mind, so that they can re-enter it by simply repeating the steps of the routine.
If you want to develop your ability to enter the creative zone at will, you should know that there are three conditions for a really effective hypnotic trigger:
- Uniqueness – it should be something (or a combination of things) you don’t associate with other activities, otherwise the effect will be diluted.
- Emotional intensity – the kind you experience when you’re really immersed in creative work.
- Repetition – the more times you experience the unique trigger in association with the emotions, the stronger the association becomes.
What are the most important triggers for your creative state of mind?
What happens to your creativity if your routine is interrupted?